That Roger Troutman. Easier a Micro Korg. Get the settings from You tube in which there are tutorials for that which will walk you through to get your patch. Troutman talkbox patch roger. I purchased the micro. Korg in conjuction with. Which is more visceral and tactile than doing so with software. MY TALKBOX & KEYBOARD SYNTH COLLECTION - Yamaha DX100, Golden Throat Talkbox, MicroKorg, EV1824M. Roger Troutman & Stevie Wonder - Duration. The Yamaha DX-100 has an. Talk Box Settings For The Korg MicroKorg. I've seen an earlier post on how to get that Roger Troutman HARMONY sound from the talk box in the studio. It helped me tremendously. I'm talking to everyone who are working studio software with unlimited track choices. Personally I am using Presonus Artist 2, a Rocktron Banshee talk box and a Yamaha DX-100. For good Roger talk box HARMONY sound try this. Try to find -100 keyboard which is difficult or probably easier. Get the settings from You tube in which there are tutorials for that which will walk you through to get your patch right (sawtooth patch). In the studio, you will need at least 4 vocal tracks for your perfect sound. Use your melody which I choose as the 1 of the chord or the tenor voice on one track. Next, record the 3rd as your alto and pan it to the left in your studio recording on another track. Record the 5th or the soprano and pan it to the right on its own track as well. Last, record an octave above the 1st and leave it centered the same as the melody on its own track. In summary: 1st centered melody (tenor), 3rd (alto) panned to the left, 5th (soprano) panned to the right and another centered track an octave above the 1 or the melody. Equalize them the same. Compress them to your preference. Now all this may vary per application. Hope I've helped some one. Last edited by Ron Ford; at 04:25 PM. Not really difficult at all. Set up you 4 tracks and label them as for instance: Track 1 (main), Track 2(alto), Track 3(soprano) & Track 4(an octave above track 1). Use your main track (track 1) for all of your melody vocals or how you would sing it normally. Pan your 3rd and 5th of the chord in opposite directions. One left and one right. And leave Track 4 centered but an octave above the melody. ---Recording them in real time like this, you will get a normalized effect which is good. If you want to use plug-ins like Melodyne to harmonize and produce octaves, then you need to use a milli-second delay on the tracks to make it more stereo phonic and to prevent phasing. In other words, the old school way will work better. It will save you the confusion of playing around with a lot of effects and plug-ins. :: Minimoog Moog Instruments (Moog Organ by Cordovox) Musonics Sonic V (Radio Shack) Search the Synthmuseum.com Classifieds for this instrument. Minimoog Manufacturer: Moog Model: Minimoog Production period: 1970-81 Quantity produced: over 12,000 Also: - Joe Paradiso's - - - courtesy of Kevin Lightner - courtesy of Kevin Lightner - Brad Coates article above photo courtesy of William Blakeney. The synthesizer was used at the famous Grant Avenue Studios during the period that Brian Eno was producing the Apollo Soundtracks and appears in some of those recordings. 'Back in 1969 and '70, Moog Music was not yet in the musical instrument business per se. Our modular synthesizers were sold as pieces of professional audio equipment. They were made to order, and we considered them to be too complex and high-tech to survive on the floor of a musical instrument store. Our original concept for the Minimoog was to take some of the basic features of our modular instruments and integrate them into a compact performance synthesizer that could be programmed without patch cords.
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